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Apocalypse, an ancient mutant with an unlimited and undefined power set, is awakened in the modern world after a pre-credits sequence that looks like it comes from a Stephen Sommers movie. There is essentially no story in this film - it’s just a premise, played out straight.
X men apocalypse film rating movie#
It isn’t that X-Men: Apocalypse is a bad adaptation of the X-Men comics or that it’s a bad X-Men movie sequel, it’s just a bad movie altogether.
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Never before has that been as evident as it is in Apocalypse where, amid the big action and the more colorful costumes and weirder characters (all clearly trying to ape the success of the Marvel movies), the story flounders, the character arcs are flat and the stakes get raised to ridiculous, civilization-destroying levels and then are ignored. It’s quite clear that Singer just doesn’t give a shit. How does a filmmaker forget a detail like that from his own previous film? It isn’t even like Singer was directing a Jack and the Beanstalk sequel between these movies! Except - and this was major - it was Mystique pretending to be Stryker! The timeline had been changed… until it turns out in Apocalypse that Wolverine is, in fact, captured by Stryker. And at the end of the last film we saw Wolverine being picked up by Stryker, the guy who originally made him feral, took away his memories and gave him adamantium on his bones. But with X-Men: Apocalypse Singer proves he doesn’t even care for the other X-Men movies, as evidenced by his shockingly cavalier attitude towards the most basic continuity with the last film… which he directed!Īt the end of the last movie we left Mystique standing mutant and proud… and yet here she is once again hiding her true form at every opportunity. The previous X-films have established that Bryan Singer doesn’t particularly care for the X-Men as comic book characters over the course of his films he has misused, underutilized or bizarrely mutilated characters and storylines from the comics.